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Le Roman de la Rose

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The Romance of the Rose is a thirteenth-century French dream allegory written in two different sections.

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The story was written by two different authors, Guillaume de Lorris (lines 1-4058) and Jean de Meun (4059-21780); they composed their portions more than forty years apart. Both came from Orleans, which was known as “the center of humanistic studies” during the thirteenth century. The different sections have markedly different characters. Guillaume’s version is a fairly comprehensive handbook on courtly love; Jean’s version is meant to encompass much of 13th century learning.

Until the sixteenth century, Le Roman de la Rose was one of the most widely read works in France. Studies attribute its loss of popularity to a shift in taste—at the beginning of the sixteenth century, the allegory was considered a simplistic vehicle for religious works. Interest in medieval allegory was recently revived, and the poem has been reevaluated for its artistic qualities and value to modern readers.

Fast Facts
• Critics question whether the two parts were intended to make up a whole because the authors’ treatments of courtly love seem different in intent. Recently studies tend to agree that the works are a unified whole.

• Irony is a recognizable technique in the work.

• Love is the central theme of the work. Charles Dahlberg, who translated the work, has argued that Christian perspectives of love offer the best analyses of the theme in this text.

• Much of the poem relies on imagery.

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This site was created on May 2, 2005 by Kelly Faulkner in partial fulfillment of the requirements for EN303.01 at Franklin Pierce College.